Girl at the Movies: Leatherheads Monday, Apr 7 2008 

George Clooney is hot.

John Krasinski is hot.

In this movie, George Clooney and John Krasinski were both hot.  They got muddy and sweaty on the football field.  They punched each other.  They exchanged snappy, witty banter with Renee Zellweger, whom I love, although I think that may be an unpopular opinion nowadays.  I’m not sure. 

Renee Zellweger wore pretty vintage clothes and kooky hats.  She was one of those little girl reporters with moxy and spunk who gets to show up her male colleagues a time or two. 

Screwball comedy abounded.  John’s sleeve caught on fire.  George fell off his motorcycle.  Renee and George dressed up like police and pretended to be suicidal to escape being caught in a speakeasy. 

It was all very light and fun and a little meandering but mostly entertaining. 

Did I mention George Clooney?  And John Krasinski?  Being all hot??  Because they were.  That right there was worth the price of admission.  If you appreciate the hotness of George or John, go see it.

If you don’t, there may be something wrong with you.

The End.

Something Totally Different — The Writers Strike Friday, Nov 9 2007 

I’ll admit I hadn’t paid much attention to all the news of the impending writers strike, other than to realize that (crap!) the writers strike = no new TV shows. “Selfish writers,” I thought.

Yeahhhh, now I feel guilty.

The past few days I’ve been reading internet superstah pamie.com and zap2it’s coverage and this morning I found United Hollywood, a blog by some of the strike captains. So now I am all educated on the subject on the subject.

The TV shows I have loved over the years generally fall into two categories. One category is guilty pleasures.

And the other category are shows that are well-acted and, more importantly, well-written. I have tremendous respect for anyone that can write well, and especially can write dialogue well. Shows that are written well are like classical music to me, full of sharps and flats and crescendos and decrescendos.

Like West Wing. Like Sports Night. Like Brothers and Sisters and Grey’s Anatomy. I own each of those shows on DVD. I have watched some of those shows via the internet.

For every one of those DVDs I’ve bought, their writers receive 4 cents. 4 cents. And when I watch them on the internet? The writers receive NOTHING. Even if the networks include ads in their online broadcasts. Because the networks claim that showing the entire episode online or through iTunes or whatever other new media comes up is “promotional.”

And that? Is bullshit. If I’m viewing Brothers and Sisters on the internet the exact same way I would be viewing it on my TV on a Sunday evening, complete with ads, then the writers responsible for crafting those episodes (as well as the cast and crew and everyone else*) should be compensated in exactly the same way. Period.

The current Writers Guild of America contract (I guess that’s the right term?) was crafted when home video was just coming into the mainstream. There’s a whole new world of media out there. The WGA is doing the right thing by striking. They’re not asking for anything outrageous. A lot of television writers are unemployed. They may work for a season or two, and then live on residuals for several years or submit spec scripts. That can’t be an easy life.

I haven’t been able to watch The Office this season, because it runs opposite Grey’s Anatomy. I could very well go to NBC’s website and watch it online, but knowing what I know now, I won’t do that. Because The Office, like many many other fine TV shows, wouldn’t be ANYTHING without its writers. And I want to do my part, however small, to support them.

* I have a feeling this issue will continue to raise its ugly head over the next few years with the Screen Actors Guild and various other unions, if no one is being compensated for online viewings of TV episodes. I know that right now, actors and everyone else is being very supportive of the writers and we’re seeing coverage of entire show casts and crews walking picket lines with their writers.

Girl Does Not Love TiVO THAT Much Tuesday, Oct 2 2007 

Every spring and summer I eagerly wait to see what pilots will be picked up and what current shows will return.  I can’t wait until the networks announce their schedules for the fall season so I can figure out what I will be watching every night.  I despair if two shows conflict with each other.

I read about some pilots and think that the premise or the cast or the setting is so interesting that I must watch (Grey’s Anatomy, The OC).  There are some other shows I tune into for the sheer train-wreckedness of it all (The Pussycast Dolls Present The Search for the Next Pussycat Doll, for instance, a show who’s title wins the redundancy award).  Sometimes I read about a pilot and think it’s so wacky it’ll never work and wonder how they’ll sustain it for longer than 6 episodes (Lost is a perfect example and I never would have guessed it would take off like it did.) 

And then, there are some new shows announced and my immediate reaction is “What the hell kind of crack were they smoking??”  This year, that show is ABC’s Cavemen

I cannot believe that anyone in their right mind saw those Geico cavemen commercial and thought, “Wow, that would make a great show!”  I cannot believe such a pilot was written and produced.  I cannot believe ABC picked up the pilot.  IT IS ABOUT CAVEMEN.  IT WAS INSPIRED BY A TV COMMERCIAL.  I don’t think there is enough money in the world to convince me to watch this show. 

What’s next, the Gecko gets his own show?  The annoying Shedd’s Spread Country Crock couple?  Please not the totally frighening Burger King puppet guy. 

(This is my last TV post for awhile…I think I’ve mined the subject as much as I can for now.)

Girl Loves TiVo: Brothers & Sisters Monday, Oct 1 2007 

(I know, B&S isn’t a new show, but I’m spreading the love here.)

I looove stories about big, dysfunctional families.  Love them.  Books, movies, TV series…the bigger and more dysfunctional, the better.  I think it’s because I didn’t really have that kind of crazy, amusing dysfunction growing up. 

I mean, my family definitely had our moments and I do have two younger brothers and a large extended family, but due to a number of factors (personality and distance, mostly), we weren’t generally a yelling, fighting family, or one who has lots of secrets, or multitudinous marriages and divorces. 

(Dear Mom and Dad…thank you.  Seriously.  You’re the best.)

Anyway, Brothers & Sisters premiered last season and featured one of those big extended dysfunctional secretive crazy yelling and fighting families.  And the cast was top-notch — Sally Field, Rachel Griffiths, Calista Flockhart, Ron Rifkin, Balthazar Getty, Patricia Wettig and Tom Skerritt, to name the ones that I knew before the show started.

But oddly enough, I didn’t ever watch it.  I think it’s because I missed the premiere and the first couple of weeks and then it sort of felt like the train had left the station and I wasn’t on-board.  Plus, there might have also been another show it conflicted with?  (The Apprentice, maybe, and wow, did I ever make the wrong choice there.)

Then Rob Lowe was added to the cast and I began to hear about how great this show was and towards the end of the season watched a couple episodes here and there.  And fell in love.  Luckily, ABC had every single ep of the first season available to watch over the internet and I managed to catch up.

The premiere set up the simple premise — Sally Field and Tom Skerritt (who also played a married couple in Steel Magnolias) play Nora and William Walker, parents of five grown children: working mom Sarah, Republican Kitty, gay Kevin, newlywed Tommy and drug-addict Army vet Justin.  At the end of that first ep, William dies of a heart attack.  His death sets off a series of revelations and it turns out that none of the Walkers knew him at all. 

The writing is superb — they mix comedy and drama seamlessly, and never dwell on one plotline too long.  And believe me, there are tons of stories to explore with this family.  I especially love the scenes of multi-character dialogue.  They sound like a family.

And, as expected, the whole cast is amazing.  It just seems like they all click, and you can totally buy them as a family.  Two of my favorites are Matthew Rhys and Dave Annable, who play Kevin and Justin, and who were pretty “unknown” compared to the rest of the cast.  Of course, Sally Field BRINGS IT every damn week. 

I bought the Season 1 DVDs a couple weeks ago when they were released and there are some eps I could watch over and over again.  Season 2 premiered last night, and I was so glad…this has quickly become one of my favorite scripted dramas on TV, surpassing the crap that has become Gray’s Anatomy (arrgh, don’t get me started on McDreamy and Mer, George and Izzie, Bailey, et. al). 

If you’re not watching it, you should be.

(Can y’all tell that if I had stuck with journalism as a career, I would have wanted to be writing about TV and films??)

Girl Loves TiVo: Dirty Sexy Money Friday, Sep 28 2007 

The second in a series of reviews of this year’s TV premieres…

First it must be said that Dirty Sexy Money is the best name for a TV show EVER.  Just say it out loud — Dirty.  Sexy.  Money.  How can you not tune in for that? 

Fortunately, the 59 minutes after the Dirty Sexy Money title card lived up to the name.  It was, in a word, awesome

Peter Krause (formerly of one of my favorite shows ever, Sports Night) plays Nick George.  Nick’s recently deceased father Dutch was the lawyer for a ridiculously rich New York family named the Darlings.  The Darlings are sort of a combination of the Kennedys and the Hiltons and whatever other families fit into the wealthy, well-known and deeply troubled mold. 

Donald Sutherland plays the Darling patriarch who convinces Nick to take on his father’s old job and sweetens the offer with a $10 million check for the do-gooder lawyer to, well, do good.   Nick almost immediately regrets his decision, as he’s soon embroiled in the lives of all the Darlings, particularly their troubled offspring: the NY Attorney General with a penchant for transsexual hookers, the frequently divorced daughter who still loves Nick, the angry Episcopalian priest who hates Nick, the party boy with absolutely no ambition and the really bad actress who’s prone to overdosing. 

Along the way, Nick learns a shocking secret about his own family’s ties with the Darlings and the fact that his father’s accidential death in a plane crash might not be so accidental after all.  By the end of the first hour, he’s already tried to quit once and has been sucked back in by the magnificent Mr. Darling. 

It’s scandalous.  It’s trashy.  It’s larger than life.  It harkens back to shows like Dynasty and Dallas.   The show is well-cast (especially Sutherland and Jill Clayburgh as Mr. and Mrs. Darling)  and well-acted.  I just hope they can sustain all this fabulousness throughout the first season.

A very strong A+. 

Damn you, Fergie Wednesday, Sep 19 2007 

For the past week or so, I have had one of two songs perpetually stuck in my head — “Glamorous” and “Big Girls Don’t Cry”, both by Fergie. 

Not this Fergie, this one

Please tell me that I’m not the only one who, when people kept talking about Fergie’s music  thought, “What the hell?  The Duchess of York is a singer now??”  (What can I say, I was obsessed with the British royal family as a child.)

Also, I still can’t get over the fact that singing Fergie of the Black Eyed Peas used to be a star on “Kid’s Incorporated.”  I looooved that show.

But mostly I just wonder when I will be able to get through a day without wandering around going, “G-L-A-M-O-R-O-U-S…flying first class, up in the sky…”

(At least the youth of today will know how to spell glamorous.  And bananas, thanks to Gwen Stefani.)

Girl Loves TiVo: K-Ville Tuesday, Sep 18 2007 

I’ve decided to do mini-reviews of all the new TV shows that I will be TiVoing this fall, and maybe some of my returning favorites too.  First up is K-Ville, on Fox.

I’m not normally a viewer or a lover of cop shows.  They’re just not my cup of tea.  But “K-Ville” is set in post-Katrina New Orleans, and filmed entirely on location, so I was really interested to see how they handled the issues, or at least see some sights that I was familiar with after my time there last summer.

And unfortunately, I was mostly disappointed.  The actors playing the two main roles, Anthony Anderson and Cole Hauser,were good (and yo, Hauser is hotttt).  I liked the cinematography and the music.  It was definitely action-packed and they made good use of their NOLA locations. 

But it seemed…cliche?  The accents were fake and bad and they’re prone to falling back on references to things that seem so totally New Orleans, just so you know where you are.  Plus, I’m sure if I was more familiar with the city’s geography, the sequence of events would seem all kinds of whack.  And yes, the city has one of the highest crime rates in the country right now, but I wish it focused on more than just the crime. 

Oh, and there’s a sort of RIDICULOUS plot twist about Hauser’s character that seemed so ludicrous to me that I had a hard time buying it. 

Really, I think post-Katrina New Orleans would have made an awesome setting for a family drama (or maybe two families — I’m picturing something like the way American Dreams focused on a white family and a black family in 1963 and managed to weave stories about both of them into each show) but I wish K-Ville wasn’t a cop drama.  There are a LOT of interesting story possibilities that I’m not sure they’re ever going to get to touch. 

I give it a C+ to start with but I’m not sure how long I’m going to be able to hang in there. 

Gimme a F-A-L-L! Monday, Sep 17 2007 

“It’s the most wonderful time of the year…”

(Ooh, my journalism professor would tell me it’s incredibly trite to start an article or a blog entry with a cliche like that.  Sorry, Dr. Bill.)

Anyway, the cooler weather is arriving, my calendar says it’s September and that means my favorite season is finally here.  Here are all the things I love about fall:

  1. Halloween Candy!  Specifically, candy corn.  I have an unholy love for candy corn, but I only ever really want it to eat during the months of fall.  I’ve already bought my first bag.   Halloween is also when Peeps return to the stores (in the forms of pumpkins, ghosts and different pumpkins with chocolate filling).
  2. New TV shows premiere and familiar TV shows return with new episodes.  I’ve already set the TiVo for K-Ville, Private Practice, Big Shots, Dirty Sexy Money and Cane
  3. Holidays!  We get off Columbus Day and Veteran’s Day, plus of course, Thanksgiving.  And Christmas is right around the corner.
  4. As I mentioned, cooler weather.  I love fall temperatures and how crisp everything feels and smells. 
  5. My birthday in November, even though this year is the big 3-0.
  6. A new start.  September always feels like the beginning of the year all over again.
  7. Did I mention the candy corn??

Channeling my inner Julia Sugarbaker Wednesday, Sep 12 2007 

(I promised something lighter today, so here you go.)

Back in my formitive pre-teen years, I knew exactly who I wanted to be when I grew up — a mix between Julia Sugarbaker and Murphy Brown.  A sassy, brassy, usually classy broad that ALWAYS spoke her mind with the most fiercely eloquent, witty  rants possible. 

(Clearly TV played a large part in my formitive years.) 

This was particularly true of Julia Sugarbaker, played the fabulous Dixie Carter on Designing Women.  That character always had a unique way of insulting people without them even realizing it. 

A cable channel has recently started replaying episodes of Designing Women, and I have fallen in love with all the characters, particularly Julia, all over again.  So here are a couple of her greatest hits:

JULIA: Excuse me, aren’t you Marjorie Leigh Winnick, the current Miss Georgia World?
MARJORIE: Why, yes I am.
JULIA: I’m Julia Sugarbaker, Suzanne Sugarbaker’s sister. I couldn’t help over hearing part of your conversation.
MARJORIE: Well, I’m sorry. I didn’t know anyone was here.
JULIA: Yes, and I gather from your comments there are a couple of other things you don’t know, Marjorie. For example, you probably didn’t know that Suzanne was the only contestant in Georgia pageant history to sweep every category except congeniality, and that is not something the women in my family aspire to anyway. Or that when she walked down the runway in her swimsuit, five contestants quit on the spot. Or that when she emerged from the isolation booth to answer the question, “What would you do to prevent war?” she spoke so eloquently of patriotism, battlefields and diamond tiaras, grown men wept. And you probably didn’t know, Marjorie, that Suzanne was not just any Miss Georgia, she was the Miss Georgia. She didn’t twirl just a baton, that baton was on fire. And when she threw that baton into the air, it flew higher, further, faster than any baton has ever flown before, hitting a transformer and showering the darkened arena with sparks! And when it finally did come down, Marjorie, my sister caught that baton, and 12,000 people jumped to their feet for sixteen and one-half minutes of uninterrupted thunderous ovation, as flames illuminated her tear-stained face! And that, Marjorie — just so you will know — and your children will someday know — is the night the lights went out in Georgia!

************************************************

A middle-aged swinger approaches the ladies in a sushi bar:
MAN: Allow me to introduce myself — Ray Don Simpson.
JULIA: There’s no need for introductions, Ray Don, we know who you are.
RAY DON: (smiling) You do?
JULIA: Of course. You’re the guy who is always wherever women gather or try to be alone. You want to eat with us when we’re dining in hotels, you want to know if the book we’re reading is any good, or if you can keep up company on the plane. And I want to thank you, Ray Don, on behalf of all the women in the world, for your unfailing attention and concern. But read my lips and remember, as hard as it is to believe, sometimes we like talking just to each other, and sometimes we like just being alone.

 ***************************************************

A Blast From the Past

Julia house is placed on a Tour of Homes and she is enforced to open her home to inconsiderate tourists.
TOURIST: Y’know, the other houses were much nicer than this one. This is boring.
KAREN, THE TOUR GUIDE: Well, this isn’t one of our better ones. In fact, the only reason it’s on the tour is because this was the home of Lucifer T. Stonewall Sugarbaker. He was a very famous horse thief and Yankee spy. Who’s seen Gone With the Wind? Do you remember Belle Watley’s house? Well this was the original that it was based on.
TOURIST: This used to be a whore house?
JULIA: Alright!! That’s it. This is not a whore house, this is my house. And I’ve had all I’m gonna take of you. You don’t care about history, you just want to sell it. You don’t even sell it honestly. You just want to sell the myth………the myth of the Old South. You all know that myth, don’t ya? Happy darkies singing in the field while Miss Scarlet primps around throwing hissy fits. Well that’s an insult. It isn’t the South. It’s an insult to all the people who lived and died here not so very long ago. We Southerners have had to endure many things. But one thing we Southerners don’t have to endure is a bunch of bored housewives turning historical homes into theme parks, not to mention ill-mannered tourists with their Big Gulps, Mysties, Slurpees, and Frosties, their dirty feet overflowing rubber thongs, and babies who sneeze fudgecicle juice! Out!! Out of my house!! As God is my witness……….I will burn it down myself before I let you in again!!
(The tourists applaud……..)
TOURIST: Wow! Just like the movie!
TOURIST: This is the best house on the tour!
KAREN: (nervously trying to hurry them out) Well………we aim to please. And wasn’t that a wonderful piece of theater.
MARY JO: Well…………….
JULIA: Well………
MARY JO: Julia, I hate to be the one to tell you this, but I don’t think you’re gonna be invited to be on the tour of homes next year.
JULIA: Frankly my dear……………I don’t give a damn.

 

*******************************************************

To this day, I still try and channer my inner Julia when I’m ready to rant and rave about something.  Of course, I don’t have my own scriptwriters, but a girl can dream can’t she?

Something I Don’t Get Tuesday, Aug 14 2007 

Okay, y’all, I really have a serious question here…

Very, very often you will hear about some celebrity couple who has just become parents, or who are expecting, that are not married.  I’m not talking about the not married couples that have been together for years and years (like Goldie and Kurt), I’m talking about Actor and Actress or Actress and Musician or Actor and Model or whoever, that maybe have dated for a few weeks or months or maybe a year or so and are now pregnant.

So my question is this — did they plan the pregnancy, or did it just happen?  Do they not understand how birth control works in Hollywood?  Do they just not feel like they need to get married?  Is marriage too old-fashioned? 

I mean, it just seems rampant among the famous.  I do know people that have gotten pregnant before marriage, but it was generally an accident.  And somehow I can’t believe that all of these Hollywood couples are having accidents, so they just don’t care about the whole idea of marriage??

Seriously, these are the things I think about sometimes.

Also something I don’t get — apparently I missed the memo that moved Angelina Jolie’s status from “weird Goth actress who was crazy enough to marry Billy Bob Thornton and wear a vial of his blood around her neck while maybe having a strange relationship with her brother” to “Saint.”  Was it all the adopting of ethnic children?  Was it upgrading from Billy Bob to Brad (while he was MARRIED)?  It just sort of baffles me…I woke up one morning and no one was scared of Angelina anymore.  They love her.  Whaaaat? 

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